ShogunRua wrote: Oh, shut up, you sad, useless, piggy-backing idiot.
This is like the same insult you said to FitForDanga a week or so back. Except replace piggy packing with old. You are a comeback king. Is this Mickey Rourke?
ps, get some new insults. Try thesaurus.com next time.
I got goose bumps when I was a kid hearing Henry Mancini's creepy out of tune piano in "Wait Until Dark". the score during opening credits for "Electra Glide in Blue" is AWESOMELY cool. Guilty pleasure: the "Liquid Sky" soundtrack droopy, warm fuzzies Hammond organ ditties in "Eraserhead" alright alright Bernard Herman's sax motif in "Taxi Driver" that soothing synthesizer ZAP whenever the bad guy suddenly pops up in the first "Halloween" theme to "Guns of Navarone" (which apparently inspired Yes for the beginning of "Yours is No Disgrace") (poo u not) incredibly haunting, recurring piano theme tinkling throughout "Being There" Phillippe Sarde's oboe (cornet?) in "The Tenant" the audacity of Godard to use the fourth movement from Mahler's 9th in "Hail Mary" Keith Pratt's "I Want to See the Zoo" song from Mike Leigh's "Nuts in May" Jaws soundtrack (only Johnny W. I'll ever tolerate) Simon and Garfunkel in "The Graduate" and maybe the creepiest thing ever (yeah, goose bump time again): Robert Mitchum and the rifle-wielding old lady singing call and repsonse in "Night of the Hunter".