Odst works a lot better in co-op, mostly due to the useless AI that stands around instead of helping or at least distracting enemies. Every mission has you finding a place you can peek shoot enemies until you run out of ammo. The city was an interesting concept, but in practice felt like lifeless roads. You also have to backtrack a lot through the same boring areas. The audio logs are interesting although a bit eccentric.

ODST's noir-soaked, saxophone-laden, moody character piece would be another great addition to the Bungie-era Halo franchise if it weren't for the copious amount of backtracking. The semi-open world isn't polished enough to justify how many times you walk past the same city square. On the story-side, the characters, other than Nathan Fillion, are underdeveloped, and all the time-jump shenanigans can't fully hide how simple the plot is. A decent followup to Halo 3 but nothing more.

Biased , favourite game in the series , perfect in every way

This didn't do it for me. The campaign was too focused on being a co-op experience that playing as a single player was no fun, and the campaign featured so much backtracking through the same area I got bored, quit playing and never finished.

Fails to have a number meter radar and map telling you where you need to go.

Feels a bit like filler but still fun.

Bungie continued their streak of excellent campaigns while introducing new mechanics. I played this so many times over, and the co-op was amazing. I also want to take this opportunity to schmooze over the franchise's music. For the Bungie entries in the franchise, the music is cinematic-worthy, and ODST's is the top of the heap for me. That infusion of jazzy piano and new themes? Holy fuck it's good.

Nathan Fillion? Why so serious. Really fun playing co-op.

Had a lot of fun with the co-op multiplayer.

Oh damn suck tits